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When My Mother is Most Beautiful

Paper: ISBN 978-1-934909-77-5 $18

132 Pages

When My Mother is Most Beautiful, winner of the Loose Translation Award, is at once a powerful love letter to a mother and to language itself, delving into complex questions of family, communication, culture, and connection. These poems chronicle the difficult art of navigating multiple cultural identities, examining how languages twist and morph across cultures through the imperfect act of translation, how they bind people together and keep them apart, and even how they could be reimagined to make a better world.

Rebecca Suzuki is a writer, translator and educator from Nagoya, Japan and Queens, New York. Her writing has appeared in clotheslines, Identity Theory, KBG Bar Lit, Blue Earth Review, among others. She is also a translator from Japanese to English. She earned her MFA in Literary Translation and Creative Writing from Queens College, CUNY and is a lecturer of English there. She lives in New York. When My Mother Is Most Beautiful is winner of the 2023 The Loose Translations Prize, an annual competition sponsored by Queens College, The City University of New York, and Hanging Loose Press, and open to students and alumni of the Queens College MFA program.

What critics say:

“Rebecca Suzuki’s When My Mother Is Most Beautiful is a tender love letter, a cosmology of identity, and a bouquet of elegiac questions across time and space. Woven with matrilineal care, I loved how this collection fused poetry, prose, and radical translation under one glimmering moon. “
— Jane Wong, author of Meet Me Tonight in Atlantic City

“With a poet’s precision and a warrior’s heart, Suzuki weaves a searing story of intergenerational loss and longing through her pages, wielding translation, footnotes, and land-scape to forge beauty out of destruction. “
—Kelly McMasters, author of The Leaving Season: A Memoir in Essays

“This book casts its magic through rigorous hybridity of form and genre, inventing itself as the reader plods deeper and deeper into Suzuki’s affective reservoir. This entire book is a marvel, a summoning, a moon song in the night just when I needed it. “
—Rajiv Mohabir, author of Whale Aria

“Ultimately, this gorgeous book tries to answer, but cannot, the question related to family, country, race, history: ‘How long are we made to contemplate our belonging?’”
—Victoria Chang, author of The Trees Witness Everything

“Suzuki mixes prose, poetry, drama, translation, haibun (a form that combines prose and haiku) to create a gorgeous hybrid and multivocal collection where even a footnote can read like flash prose…. [This]powerful debut collection is as intimate as one’s breath.”
—Kimiko Hahn, author of Foreign Bodies